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概要
satoh
war,fbritsimmediacyandimpactgavetheAmericanpublicaclearimageofwhatwasactualyhappeningontheothersideorthePacific.Japan,ontheotherhand,whilehavingtheworld'Shighestpercapitaownershipofvideorecorders,hasaverysmalnumberofcameraowners.Themedium islargelyseenasanextensionofnetworkTVandthemainusemadeofitistorecorddirectlyfrom thetelevisionsetsothatprogrammescanbereplayedatwil.ThecountryhasindeedproducedsuchoutstandingvideoartistsasTbshioMatsumoto,MaoKawaguchiandTsukubaUniversity'sDaisaburoHarada,whoareamongtheworld'smostinterestingandcreativepractitionersorthisnew artfわrm.Buttheirworkisconcernedalmostentirelywiththewayinwhichthemediumofvideocanelectroni-Callyanalyseandrepresentphysicalreality,andhasnocontentwhichcouldinanywaybecaled"social"or`political."ThisdiferencebetweenJapanandtheU.S,Stemsfrom thediferentvaluesandpreoccupationsofthetwoculturesratherthan from someinherentaspectorthemedium.Inonesocietyitisusedasameansorindividualexpresionandassuchisde一masifyingthetelevisionmedium;intheotheritisusedtoincreasetheinnuenceofthemasbroadcastingsystem,whosebasicroleistoreinforceacceptanceofthestatusquo.Anotherreasonitisdificulttopredictefectsisthatthenewmediawilbeinterlinked,Itisaxiomaticthatanew medium isalwaysachannelforthosewhichalreadyexist,andittendstoabsorbratherthanreplace,Radio,forexample,Wouldhavebeenuseleswithoutthewaysofcodinginformationinsoundwhichmadeupitsoutput-speech,music,drama,etc.Thecomputerisuniqueinthatitcancaryasitscontentsuchawiderangeof444